Crimson Peak: Dark and Hauntingly Sexy

Crimson Peak wasn't quite everything that I expected- But so much more. Directed by Guillermo Del Toro and starring Tom Hiddleston, Jessica Chasten, Mia Wasikowska, Charlie Hunnam and Jim Beaver, this movie was sure to kill, and of course it did. The trailer, which was amazing all by itself, sold it as a supernatural thriller, which it was, but it didn't allude to any of the dark and twisted happenings to come. Because its still in theaters, I won't give anything away- However I will say how unexpectedly graphic and sexual it was. The production design of this film is stunning and captivating. From the effects to the gorgeous costumes, the colors and mood are perfection. Mixed with the gothic look, the music used is beautifully spooky. Besides the song "Red Right Hand," which was used in the trailer, the soundtrack is comprised of all haunting classical songs. Tim Davie's "Violin Sonata in F Major, Opus 24" was whimsically lovely as we watch Sir Thomas Sharpe and Edith dance. Another beautifully dark moment was when we see Lucille (Jessica Chastain) play Nocturne, a piece by Fredric Chopin- it was a moment that represented her sorrow-filled character perfectly. This was also a perfect example of how challenging and complicated these characters were to portray. Although we've seen her play darker roles before, this time Chastain's depressing role took such a toll on her emotionally that she actually took a break from acting and dropped out of the movie that she was supposed to start filming as soon as Crimson Peak ended. Hunnam's role, however, was completely different than the all of the others we've seen him play before in his more popular roles, (Sons of Anarchy and Crimson Peak), and he nailed it. Jim Beaver, known for his good guy characters in Supernatural and Justified, was seen in a new light as well- this time as a less than lovable character. Last but not least, Tom Hiddleston's complicated character was actually sort of similar to his most famous role to date as Loki- Obviously not the same personality or background, but in the manner of his tone when he was angry- you may as well have given him a scepter and a crown. All in all, this film can be appreciated from many different angles, if not just for its beautiful artistry. 

50 Shades of Grey

Say what you will about this movie, but the music is undeniably well done. The use of the many original songs, remixes, and even older songs such as "Beast of Burden," has a lot to do with its success. The Weeknd's song "Earned It" couldn't have been more perfect. Its glamorous but loving sound is a perfect representation of their relationship. Also the new remix of Beyonce's "Crazy in Love" added to the modern and fresh feel of the movie, while still hitting us at home with a familiar song. Last but not least, Ellie Goulding's "Love Me Like You Do" is delightfully girly and gives us a taste of what Anna is feeling. 

The Interview

For a such a silly movie, the music is actually quite brilliant. Particularly "Walk on By" by Isaac Hayes, which plays as they arrive to Kim's palace. Just like many of the other songs in the movie, it manages to sound like traditional oriental music and sound modern at the same time. There are a couple other great choices as well such as the choice to use "Firework," a cover done by Jenny Lane, when Kim dies. Its ironically perfect because of its mention earlier in the movie obviously, but mostly because it sounds so sweet and delicate- a perfect contrast that just worked.

Adore

This oddly enchanting film centers childhood best friends Lil and Roz (Naomi Watts and Robin Wright) who fall for each others sons. That summary was way too short and sweet for what happens but essentially that is it. This films got a pretty original plot, a great group of actors, and last but not least, an enchanting and captivating soundtrack. 

The composure of Christopher Gordon is unforgettably beautiful. Each song ties together through the beautiful walls of sound which are all different, but mesh together as the story goes on. A lot of Australian pop is used as well- a couple in the wedding scene, however utterly forgettable. What is truly capturing is the brilliant piano sequence that Christopher Gordon repeats throughout his music throughout the movie. The simplicity of the violin and piano together is almost whimsical and sucks you in. Gordon's music makes you feel curious and excited while still being sucked into each couples love. His music is hauntingly beautiful and it works perfectly for this film. 

50 First Dates: Not all Ukuleles

In light of "Blended" coming out and ruining Sandler and Barrymore's perfect 2 for 2 record with romantic comedy, I thought I'd talk about the great island music theme used throughout "50 First Dates." I would talk about "The Wedding Singer" but this ones a tiny bit more recent. Because the film is based in Hawaii, one would expect beachy music, but not this varied and diverse. We hear everyone from Bob Marley and The Wailers to 311 to UB40 to even Adam Sandler himself. The laid back theme of the movie lets us focus on the story between Henry and Lucy. While they all have a reggae flair, they're all different and tailored to each scene. 311's "Amber" and No Doubt's "Underneath it All" were perfect for the scene in the cafe when Henry bets Nick that Lucy won't talk to him- both give an understated tropical feeling but not overwhelming us with ukuleles, of course until we hear "Somewhere Over The Rainbow" by Israel Kamakawimo'ole, but thats understandable. 

American Sniper: One and Done

In this tragically heroic tale of an American navy seal, Bradley Cooper gives his best performance yet. Chris Kyle, deemed the "deadliest sniper in U.S. history," was an American hero who was killed by a troubled marine he was trying to help. This movie tells he and his family's story beautifully. Everything is done so simply and respectfully. 

While I love movie music, the lack of it in this movie is perfection simply because they save the most beautiful and thoughtful music moment for the end. There are a couple songs used earlier in the movie; one at their wedding by Van Morrison, and one called "Taya's theme," which plays throughout the movie and has a delicate sound. The real cinematic triumph was actually at the end of the movie, after Kyle leaves to go shooting with a marine whom he's trying to help out. The screen goes black and we begin to hear drums as a message in white comes up that says "Chris Kyle was killed that day by a veteran he was trying to help." The drums we hear are the beginning of "The Funeral," composed by Ennio Morricone. A soft wall of sound is complimented by a trumpet playing a beautifully simple tune. The understated sound makes overwhelms you with sadness, pride, and a sense of respect so strong that you can't help but sit in silence and watch as the procession goes by. 

I saw this movie in theaters twice and I couldn't tell you what it sounds like to hear an audience talking over this ending scene and credits. Everyone was quiet, whether it be out of respect for him, or because the music just made you feel like listening- for me it was an overwhelming amount of both. Even after the funeral is over and regular credits play, as everyone gets up from their seat, all you hear is shuffling foot steps. This is the first and only time that I've ever witnessed this happen, making it in my eyes, which were filled with tears both times, one of the best cinematic accomplishments in a long time.